| dc.contributor.author | Lofen, I. | |
| dc.date.accessioned | 2011-05-18T07:50:20Z | |
| dc.date.available | 2011-05-18T07:50:20Z | |
| dc.date.issued | 2008 | |
| dc.identifier.citation | tr. 309-314 | vi |
| dc.identifier.uri | http://tainguyenso.vnu.edu.vn/jspui/handle/123456789/7517 | |
| dc.description.abstract | the Korean “Eight Views of Xiao-Xiang” folk paintings had on one hand inherited the art of the original Chinese paintings, while on the other hand created a style of their own, after it was first introduced into the country in the 12th century. The Korean styled folk paintings are free and unrestrained; whether in form, brushwork, lines, colour and subtitles, they are very much dissimilar to the “Eight Views of Xiao-Xiang” paintings produced by Chinese literati. | vi |
| dc.language.iso | en | vi |
| dc.publisher | H. : ĐHQG | vi |
| dc.subject | Hàn Quốc học | vi |
| dc.subject | Văn hóa Hàn Quốc | vi |
| dc.subject | Tranh dân gian | vi |
| dc.subject | Nghệ thuật | vi |
| dc.title | The secular taste in Korea "Eight views of xiao-xiang" folk paintings | vi |
| dc.type | Working Paper | vi |
| Files | Size | Format | View |
|---|---|---|---|
| Hoi thao Han quocTB2-03.pdf | 113.8Kb |
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