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Tai Nguyen So - Vietnam National University, Ha Noi - VNU >
ĐẠI HỌC QUỐC GIA HÀ NỘI - VIETNAM NATIONAL UNIVERSITY, HANOI >
HỘI THẢO HÀN QUỐC HỌC KHU VỰC CHÂU Á - THÁI BÌNH DƯƠNG LẦN THỨ IX (25-26/11/2008) >
Tiểu ban Hàn Quốc và châu Á trong lịch sử: Xung đột và kinh nghiệm hợp tác >

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Please use this identifier to cite or link to this item: http://tainguyenso.vnu.edu.vn/jspui/handle/123456789/7550

Title: Asia and south Korean social movements
Authors: Katsiaficas, George
Keywords: Châu Á
Hàn Quốc
Văn hóa
Xã hội
Issue Date: 2008
Publisher: H. : ĐHQG
Citation: tr. 544-569
Abstract: The cultural Korean wave, or hallyu, is generally understood as the global popularity enjoyed by polished productions of Korean television dramas, movies and music. Hallyu owes its origins and possibility to the minjung movement that not only lifted the rule of stifling military dictatorships supported by the USA for nearly half a century, but also loosened the creative spirit and expressive capacity of ordinary Koreans—making people into artists and producers of great works of art. For nearly all of the 20th century, Koreans were restrained from freely expressing themselves. When the dam finally broke, the torrent of creativity that emerged resonated internationally. During the harsh period of repression, plays, music, poetry, visual arts and fiction had been media in which a modicum of space existed for the articulation of critical insights. Once a new atmosphere of freedom was constructed, these very same media blossomed in the high-tech global market...
URI: http://tainguyenso.vnu.edu.vn/jspui/handle/123456789/7550
Appears in Collections:Tiểu ban Hàn Quốc và châu Á trong lịch sử: Xung đột và kinh nghiệm hợp tác

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